| 论唐代组诗的声律技巧 |
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| 引用本文： | 杨国荣.论唐代组诗的声律技巧[J].福建农林大学学报(哲学社会科学版),2012,15(3):104-108. |
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| 作者姓名： | 杨国荣 |
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| 作者单位： | 福建师范大学文学院,福建福州350007;福建农林大学经济与管理学院,福建福州350002 |
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| 摘 要： | 唐代组诗的声律大致经历了3个发展阶段。初盛唐的组诗声律是初创期,杜甫对组诗声律技巧进行了重要拓展;中唐是组诗声律全面发展阶段,元白极大推动组诗声律的发展。晚唐组诗声律技巧的发展以皮陆为代表。
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| 关 键 词： | 组诗 声律 唐代 |
Development and skills of Tang Dynasty serial peoms rhythm |
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| YANG Guo-rong.Development and skills of Tang Dynasty serial peoms rhythm[J].Journal of Fujian Agriculture and Forestry University,2012,15(3):104-108. |
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| Authors: | YANG Guo-rong |
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| Institution: | YANG Guo-rong1,2(1.College of Chinese Language and Literature,Fujian Normal University,Fuzhou,Fujian 350007,China; 2.College of Economics and Management,Fujian Agriculture and Forestry University,Fuzhou,Fujian 350002,China) |
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| Abstract: | Tang Dynasty serial poems rhythm experienced three stages of development.The early Tang Dynasty poetry rhythm was the newly establishing period,the serial rhythm skills of Du Fu were an important expansion.Mid-Tang was a comprehensive development stage of the Tang Dynasty serial poems rhythm.In this period Yuan and Bai greatly promoted the serial poems thythm.Pi and Lu represented the development of serial poems rhythm in the late Tang. |
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| Keywords: | serial poems rhythm Tang Dynasty |
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