| 论臧克家的新诗形式美学观 |
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| 引用本文： | 潘颂德.论臧克家的新诗形式美学观[J].西南大学学报(社会科学版),2006,32(1). |
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| 作者姓名： | 潘颂德 |
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| 作者单位： | 上海市社会科学院文学研究所 上海市200235 |
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| 摘 要： | 著名诗人臧克家是我国20世纪重要的新诗理论批评家之一.他的新诗形式美学观经历了20世纪30、40年代的滥觞期,50至70年代中期的发展期,粉碎"四人帮"以后的成熟期,先后提出了"不赞成要一定的形式"、"诗要三严"、"在民歌和古典诗歌的基础上发展新诗"、"诗要三顺"等新诗形式的主张.
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| 关 键 词： | 臧克家 新诗形式美学观 滥觞期 发展期 成熟期 |
Zang Kejia's Formal Aesthetics Theories of Modern Chinese Poetry |
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| PAN Song-de.Zang Kejia's Formal Aesthetics Theories of Modern Chinese Poetry[J].Journal of Southwest University(Humanities and Social Sciences Edition),2006,32(1). |
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| Authors: | PAN Song-de |
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| Abstract: | Zang Kejia is one of the most important critic on Modern Chinese Poetry in 20th century China.He put forward some opinions about Modern Chinese Poetry such as,opposing fixed poetic form,three strict rules of Modern Chinese Poetry,developing Modern Chinese Poetry on the basis of traditional folk and classic poems and three fittings(namely,fitting eyes, fitting mouse,fitting ears).Zang's theory is significant in our probe into the perfect form of Modern Chinese Poetry. |
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| Keywords: | Zang Kejia formal aesthetics theory of Modern Chinese Poetry the beginning period the developing period the mature period |
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