| 略论文人画审美精神之流变 |
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| 引用本文： | 梁川. 略论文人画审美精神之流变[J]. 四川理工学院学报(社会科学版), 2004, 19(2): 82-86 |
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| 作者姓名： | 梁川 |
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| 作者单位： | 四川理工学院,美术系,四川,自贡,643000 |
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| 摘 要： | 中国画的前途已成为美术界的热门话题 ,中国画是民族精神与思想在美术领域具体表现 ,它的发展命运关系到中国古典思想与精神的传承 ,也关系到中国文化在新世纪如何面向世界、面向未来 ,如何在西方强势文化面前保持自己的风貌而又有所发展。本文就传统中国绘画的代表———文人画 ,其审美思想的发展脉络作一番简要论述 ,旨在对中国画的发展有所裨益。
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| 关 键 词： | 文人画 理论 |
| 文章编号： | 1672-8580(2004)02-0082-05 |
On the Varieties of Aesthetic Spirit in Scholar Drawing |
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| Liang Chuan. On the Varieties of Aesthetic Spirit in Scholar Drawing[J]. Journal of Sichuau University of Science & Engineering:Social Sciences Edition, 2004, 19(2): 82-86 |
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| Authors: | Liang Chuan |
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| Affiliation: | Liang Chuan |
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| Abstract: | The future of Chinese painting becomes the popular topic of conversation in fine arts circle.Chinese Painting embodies the nation's spirit and ideology in fine arts realm.Its development not only concerns the passing on the Chinese thought and spirit to the offsprings ,but also concerns Chinese culture how to face the new age,the new world,and how to keep its unique style among the West Cultures.The aim of this paper is to discuss the above relative problems. |
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| Keywords: | scholar drawing theory |
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