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主体化的艺术——福柯的伦理谱系学与生存美学
引用本文:余虹.主体化的艺术——福柯的伦理谱系学与生存美学[J].新疆大学学报(社会科学版),2005,33(6):38-46,55.
作者姓名:余虹
作者单位:余虹(中国人民大学,中文系,北京,100080)
摘    要:从有关"主体"的形而上学玄想转向对"主体化"的社会历史调查与思考是福柯主体论的根本性策略,此一转向使福柯的思考与西方主体论的传统区别开来.福柯通过对道德进行结构分层而为分析主体化方式找到独特的路径.在对古希腊、基督教和现代伦理实践的比较分析中,福柯描述了西方历史上不同的主体化方式并阐述了自己的主体化立场.经由伦理与道德的区分以及对古希腊美学化伦理实践的分析,福柯突出了人的"自由".

关 键 词:福柯  主体化  伦理  生存美学
文章编号:1000-2820(2005)06-0038-09
修稿时间:2005年7月5日

On the Subjectivized Arts
YU Hong.On the Subjectivized Arts[J].Journal of Xinjiang University,2005,33(6):38-46,55.
Authors:YU Hong
Abstract:The fundamental strategy for Michel Foucault's Subject Theory is the transfer from the metaphysic illusion to the socio-historical investigation into and thought on subjectivization, which distinguishes Michel Foucault's thought from the conventional Western Subjectivity Theory. Through the structural analysis of morals, Michel Foucault has formulated a u-nique approach to subjectivization analysis. On the basis of making a comparative analysis of the ethic practice in ancient Greece, Christianity and the present day, Michel Foucault describes the various modes of sujectivization in the history of the West. Simultaneously. Michel Foucault places emphasis on human "freedom" by differentiating ethics from morals and by analyzing the aesthetic ethic practice in ancient Greece.
Keywords:Michel Foucault  subjectivization  ethics  survival aesthetics  
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