| 土族“纳顿”舞蹈的文化解读 |
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| 引用本文： | 文忠祥,范静. 土族“纳顿”舞蹈的文化解读[J]. 青海民族学院学报(社会科学版), 2009, 35(4): 66-69 |
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| 作者姓名： | 文忠祥 范静 |
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| 作者单位： | 青海师范大学,青海省文化艺术职业学校,青海,西宁,810008 |
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| 基金项目： | 作者主持的2007年度国家社会科学基金项目《甘青地区民族信仰与构建和谐社会研究》 |
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| 摘 要： | 本文以民间舞蹈的视域对土族纳顿舞蹈文化进行了探讨，认为“纳顿”舞蹈不仅具有一定的规律性、程式性，而且与信仰互相借助得到发展和传承，是土族社会伦理和民族心理的直接表达形式，是族群认同的纽带，表演具有明确的功利目的。
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| 关 键 词： | 土族 纳顿 会手舞 面具舞 舞蹈 |
The Cultural Interpretation of the "Nadun" Dances in the Qinghai Tus |
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| WEN Zhong -xiang,FAN Jing. The Cultural Interpretation of the "Nadun" Dances in the Qinghai Tus[J]. Journal of Qinghal Nationalities Institute(Social Sciences), 2009, 35(4): 66-69 |
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| Authors: | WEN Zhong -xiang FAN Jing |
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| Affiliation: | WEN Zhong -xiang, FAN Jing |
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| Abstract: | Nadun is the unique Festival of the Tus. As a thanksgiving and entertainment ceremony for God to celebrate the harvest, it includes Huishou -dance,Mask - dance and Gods-dance. According to the folk dance theory focus on the dance acting design, this paper thinks Nadun dance acting with a certain regularity and formulaicity. In virtue of Nadun dance, the folk dance art and folk belief had been developing and inheriting. With definite utilitarian purpose, Nadun dances performaee is a direct expression form of social ethics and national psychology, is a link of ethnic group self -identity. |
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| Keywords: | Tus Nadun Huishou dance mask dance |
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