情感的纯化与情感的节制——论刘勰诗本体论的情感论

《文心雕龙》呈现的刘勰诗本体论是中国古今诗论中最完备的诗歌本体论 ,情感论是其重心。在情感的浓淡收放、情感的自然化与社会化方面 ,都显示出刘勰的节制与中庸。他对“诗缘情”说矫枉过正 ,偏向于传统与保守 ,但其“怊怅切情”说发现诗不是感情的放纵 ,“感物吟志”说发现了诗的情感体验及诗的生成过程 ,意识到了诗的自然属性和社会属性 ,是保证诗的道德价值的重要手段

Purified and Restrained Sentiment--On the Emotion of Ontology in Liu Xie's Poetry

The ontology of Liu Xie's poetry shown in Carving a Dragon at the Core of Literature is the most complete poetry ontology of ancient and contemporary Chinese poetic essays, with its focus on sentimental theory. Liu Xie's control and the golden mean are both displayed in the release of weak and strong emotions as well as naturalized and socialized sentiments. He overcorrected the theory "poetic sentiment", with inclination towards tradition and conservative but his theory about "earnest frustrating feeling" reveals that poetry was not uninhibited emotion. Besides, his theory of "touched to chant by sights" shows us poetic sentiment experience and its forming process and enables us to realize the natural and social attributes of poetry, which serve as an important means to ensure the moral value.