书法客观评价模式的构建——以评价的尺度和维度为着眼点

从南朝庾肩吾的三品论书到康有为的六品论书,从洪丕谟、龚志民的＂要素说＂到目前书法国展的＂综合评价＂,已有的这些评价方式都是感悟式的评价模式,评价结果不够客观,或笼统或抽象,让人难以琢磨,没有具体的＂操作办法＂。对书法进行客观评价应科学运用评价尺度,抛弃审美价值取向与现实利益的纠缠,掌握好唯实的审美观和审美利益,对审美对象和要素进行量化,构建一个由作品技法、作品比较、作品定位等多维度组成的较为客观的评价模式。

Construction of an Objective Evaluation Model of Calligraphy-From the Perspective of Evaluation Scale and Dimension

The existing evaluation modes of calligraphy,from Yu Jianwu's three-rank criterion to Kang Youwei's six-rank standard,from Hong Pimo and Gong Zhimin'sElementtheory to the contemporary comprehensive evaluationby national exhibitions,are impressionistic rather than objective ones.They are too general or abstract,and as a result too elusive to be easily applicable.So we try to adopt the scientific ap-proach to have a quantitative evaluation of aesthetic object and element so that a relatively objective evaluat...