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论司空图的“韵味”说
引用本文:李宛平. 论司空图的“韵味”说[J]. 南都学坛, 2005, 25(4): 68-70
作者姓名:李宛平
作者单位:南阳师范学院,技能部,河南,南阳,473061
摘    要:唐代司空图“韵味”说的提出,解决了诗歌的表层题材和深层意味之间的关系问题。“韵味”说把诗歌分成了韵、味和致、旨两个层次,韵味的实现要求诗人在进行创作时努力追求诗歌的“醇美”,接受者在阅读诗歌时要发挥主观能动性,充分地领悟和创造,韵味的实现是作者和读者共同努力的结果。

关 键 词:司空图  韵味  接受美学
文章编号:1002-6320(2005)04-0068-03
修稿时间:2005-04-10

A Discuss on the Si Kongtu''''s Rhyme Theory
LI Wan-ping. A Discuss on the Si Kongtu''''s Rhyme Theory[J]. Academic forum of nandu, 2005, 25(4): 68-70
Authors:LI Wan-ping
Abstract:The relation of the subject matter and the deeply idea has not well solved until Si Kongtu's bringing forward the rhyme theory in Tang Dynasty. In the theory, Si Kongtu divided the poem into two lays: rhyme and meaning, implied intention and imagnation. The poet was requested to pursue the aesthetics when writing a poem, while the readers are requested to exert the subjectivity to appreciate. The rhyme achieving is the result of both the poet and the readers' endeavor.
Keywords:Si Kongtu  rhyme  acceptance aesthetics  
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