| 略论敦煌画派的共性理念和风格特征 |
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| 引用本文： | 曹瀚. 略论敦煌画派的共性理念和风格特征[J]. 兰州大学学报(社会科学版), 2012, 40(4): 170-172 |
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| 作者姓名： | 曹瀚 |
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| 作者单位： | 西北师范大学美术学院,甘肃兰州,730070 |
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| 摘 要： | 通过梳理敦煌壁画和雕塑在多元文化视角下呈现的共性理念和风格特征,提出了创建敦煌画派的框架性原则,即以佛教为其宗教精神,以表现为其美学趣尚,以安详为其艺术品格。
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| 关 键 词： | 敦煌画派 共性理念 风格特征 |
Toward the Dunhuang School of Art: Stylisitc Merits of the Mural Paintings in the Dunhuang Grottos |
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| CAO Han. Toward the Dunhuang School of Art: Stylisitc Merits of the Mural Paintings in the Dunhuang Grottos[J]. Journal of Lanzhor University(Social Sciences), 2012, 40(4): 170-172 |
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| Authors: | CAO Han |
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| Affiliation: | CAO Han (School of Fine Art,Northwest Normal University,Lanzhou 730070,China) |
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| Abstract: | Based on the common artistic charaters of the mural paintings created in the diverse cultures of the past, the author proposes the establishment of the concept of a Dunhuang School of Art as uniquely different from the painting styles of other places in China.This school of art is characterised by a Buddhist faith,expressionist aesthetic, and a tranquil ambience. |
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| Keywords: | Dunhuang School of Art common concept stylistic characters |
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