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庄子的语言观及其艺术人生观
引用本文:屈志勤.庄子的语言观及其艺术人生观[J].南华大学学报(社会科学版),2010,11(6):84-86.
作者姓名:屈志勤
作者单位:广州中医药大学 人文社科学院,广东 广州 510006
摘    要:庄子意识到"道不可言说,但又必须言说"的二难问题,即语言既是表达道不可缺少的工具,在表达道时又遇到重重障碍,故无法完全表达道。故庄子主张通过"得意忘言"的途径解决此难题。庄子此主张并非是说完全不用语言表现道,而是主张进入忘我、忘言而与道同一的顿悟境界,即运用语言而不受语言束缚的"道进乎技"的境界。此人生境界和艺术境界的追求思想影响了自他以后许多文人雅士对文学艺术的追求方向,促进了中国古代文学的辉煌发展。

关 键 词:语言的局限  语言的超越  艺术境界
收稿时间:2010/10/21 0:00:00

On Zhuangzi's Linguistic View and Artistic Outlook on Life
QU Zhi-qing.On Zhuangzi's Linguistic View and Artistic Outlook on Life[J].Journal of Nanhua University(Social Science Edition),2010,11(6):84-86.
Authors:QU Zhi-qing
Institution:Guangzhou University of Chinese Medicine,Guangzhou 510006,China
Abstract:Zhuangzi researched a problem that the language does not completely express Dao's meaning.Zhuangzi thought the language is finite and Dao is infinite,the language expresses objects as the stillness' way and Dao is moving,the language expresses objects' phenomenon and Dao is internal essence.Zhuangzi thought if the language expresses Dao,it will encounter with many limits. So he claimed people should overcome these limits and suddenly realize Dao without any words.This viewpoint of Zhuangzi influenced on many famous ancient literatures and artists.Thereby it promoted brilliandy developing of Chinese classical literature and art.
Keywords:linguistic limit  overcome linguistic limit  artistic realm
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