| 论数字影像及其真实性观念 |
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| 引用本文： | 潘秀通,潘源.论数字影像及其真实性观念[J].上海大学学报(社会科学版),2002,9(1):31-37. |
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| 作者姓名： | 潘秀通 潘源 |
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| 作者单位： | 1. 上海大学影视艺术技术学院,上海 200072
2. 北京科技大学 外语系,北京 100083 |
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| 摘 要： | 数字影像对传统电影电视的巨大冲击 ,乃是在制作方式、生成方式与存储介质上的划时代的革命意义。尽管它竟可“以假乱真” ,但是依然不能改变人们对数字影像的真实性要求。影视制作者依然必须根据生活的真实、艺术的真实抑或感觉的真实来生成数字化虚构影像的创造性真实。真实永远是一切艺术的生命。电影无论在中国乃至全球 ,都不会在短期内步入“后电影时代”而濒临消亡。
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| 关 键 词： | 数字影像 艺术功能 美学观念 真实性观念 后电影时代 |
| 文章编号： | 1007-6522(2002)01-0031-07 |
| 修稿时间： | 2001年11月23 |
Digital Images and its Truthfulness Concept |
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| PAN Xiu-tong ,PAN Yuan.Digital Images and its Truthfulness Concept[J].Journal of Shanghai University(Social Science Edition),2002,9(1):31-37. |
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| Authors: | PAN Xiu-tong PAN Yuan |
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| Institution: | PAN Xiu-tong 1,PAN Yuan 2 |
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| Abstract: | The digital images have a great impact on the traditional film and television,. This impact lies in the revolutionary epoch-making significance of making method, existing style and storing media. Although it does have the ability to "mix the spurious with the genuine", it still can't change people's requirements for digital images' truthfulness. The makers of film and television still have to produce the creative truth of digital virtual images according to the truth of life, arts and feeling. Truthfulness is always the life of all the arts. Neither in China nor in the whole world will the film step in the age of Post-Cinema and gradually die out . |
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| Keywords: | Digital images Art function Aesthetics Concept Truthfulness Concept Post-cinema age |
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