| 皎然“逸格”论及其隐逸文化精神 |
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| 引用本文： | 张骏翚,李文玉.皎然“逸格”论及其隐逸文化精神[J].成都大学学报(社会科学),2008(3):48-51. |
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| 作者姓名： | 张骏翚 李文玉 |
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| 作者单位： | [1]四川师范大学文学院,四川成都610068 [2]成都大学学报编辑部,四川成都610106 |
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| 摘 要： | 皎然的逸格论,跟隐逸文化有着十分紧密的联系.逸格既包含了对文学创作主体所进行的创作活动的规定和要求,又指陈了中国传统艺术活动所追求的最高艺术境界,即有效地传达主体固有之品格,使为人与为文获得完美的统一.如此,则人生与艺术也就合而为一,人生即艺术,艺术亦即人生.此乃中国传统艺术之真精神所在.
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| 关 键 词： | 唐代文学 逸 逸格 隐逸文化 |
| 文章编号： | 1004-342(2008)03-48-04 |
| 修稿时间： | 2007年12月26 |
Analysis on Jiao Ran's Yige and the Cultural Spirit of Privacy |
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| Zhang Junhui,Li Wenyu.Analysis on Jiao Ran's Yige and the Cultural Spirit of Privacy[J].Journal of Chengdu University (Social Science),2008(3):48-51. |
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| Authors: | Zhang Junhui Li Wenyu |
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| Abstract: | There is a close connection between Jiao Ran's Yige and the cultural spirit of privacy.Yige not only embodies the principle and requirements in literature creative work but also explains the highest-level in the traditional Chinese art activities,namely,to make a perfect combination of the art for people's and art's sake through efficient representation of the subject's characters and morals.In this way,life and art are all in one,thus presenting the spirit of Chinese culture. |
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