| 变化中的静物：新时代的好人们——贾樟柯电影《三峡好人》的主题分析 |
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| 引用本文： | 刘虬. 变化中的静物：新时代的好人们——贾樟柯电影《三峡好人》的主题分析[J]. 阴山学刊, 2011, 0(5): 76-81 |
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| 作者姓名： | 刘虬 |
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| 作者单位： | 北京师范大学珠海分校文学院; |
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| 摘 要： | 第六代导演贾樟柯的电影《三峡好人》拒绝表现前辈们热衷的那种形而上学的中国形象。将电影文本中出现的四个物象与电影意识形态要素相联系,从而指出导演拍摄电影的意图,体现了其电影的史诗性和纪实性的特点,及其对作为主题的＂变化的现实＂的态度。
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| 关 键 词： | 贾樟柯 《三峡好人》 好人 历史阐释 |
Still Life in the Changes:Kind People in New Times:An Analysis of the Theme of Jia Zhangke's Film Still Life |
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| LIU Qiu. Still Life in the Changes:Kind People in New Times:An Analysis of the Theme of Jia Zhangke's Film Still Life[J]. Yin Shan Academic Journal, 2011, 0(5): 76-81 |
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| Authors: | LIU Qiu |
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| Affiliation: | LIU Qiu(School of Literature,Zhuhai Branch of Beijing Normal University,Zhuhai 519087) |
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| Abstract: | The film Still Llife directed by Jia Zhangke refuses to present the metaphysic China image that his predecessors were interested in.According to the relationship of the four items and elements of ideology in the film text,the intention of the film is shown;the characteristic of epic and realism is reflected,and the attitude to the theme,namely the reality of the great transformation is shown. |
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| Keywords: | Jia Zhangke Still life Kind people Historical Hermeneutics |
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