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内蒙古铜版画的学院性
引用本文:曹雪飞. 内蒙古铜版画的学院性[J]. 阴山学刊, 2011, 0(4): 43-45
作者姓名:曹雪飞
作者单位:包头师范学院美术学院;
基金项目:包头师范学院科研项目《内蒙古地区当代铜版画艺术拓展探研》(BSY200911009)部分研究成果
摘    要:内蒙古铜版画的发展是基于美术院系教学体系之上的,其学院性不仅表现在严谨规范的高质量品质,更是在表现语言、形式特征和铜版画创作主体的身份以及其传播功能上尽显其较强的学院性。内蒙古铜版画创作超越当代观念性的干预而强调绘画本身的个性特质和直觉属性,这也正在成为目前具有知识分子特质的内蒙古铜版画家纯粹、执著的追求。

关 键 词:内蒙古  铜版画  学院性  表现语言  形式特征  创作主体  传播功能

On the Academicism of the Etching in Inner Mongolia
CAO Xue-fei. On the Academicism of the Etching in Inner Mongolia[J]. Yin Shan Academic Journal, 2011, 0(4): 43-45
Authors:CAO Xue-fei
Affiliation:CAO Xue-fei(Faculty of Fine Arts,Baotou Teachers College,Baotou 014030)
Abstract:The development of Inner Mongolia Etchings is based on the teaching system of academies of fine arts,the academicism of etchings is not only reflected in the strict norms of high quality,but also in the expressional language,formal feature of the etchings,the identity of the creative subject as well as its communication functions.The etchings in Inner Mongolia transcend the intervention of contemporary concepts,but emphasize the personality traits and intuitive properties,which has become the pure and persi...
Keywords:Inner Mongolia  Etchings  Academicism  Performance of language  Formal feature  Creative subject  Communication function  
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