从老氏之遗训，将回驾乎蓬庐——张衡《归田赋》中的“逍遥”思想

张衡的《归田赋》在文学史上占据重要位置，被看作是从“京都大赋之极轨”向“抒情小赋之杰思”转变的一个重要坐标。《归田赋》对研究张衡的思想有着重要意义。在这篇赋中，张衡思想中的庄骚合流倾向逐渐清晰，并表现为对“逍遥”之境的追求。“逍遥”的审美观念出自庄子，但在张衡身上成为一种个人化的追求。《归田赋》可以看作张衡对“逍遥”理想理解和追求的一个总结。

Combination of Strengthening the Central Authority and Economical Right Division——The "Carefree" Thought in Zhang-Heng's "Gui Tian Fu"

Zhang-Heng＇s ＂Gui Tian Fu＂ in literary history occupies an important position. It can be seen as an important coordinate of change from the ＂the polar of Kyoto Big Fu＂ to ＂the outstanding thinking lyric small Fu＂. The ＂Gui Tian Fu＂ has important signifi- cance on studying the thinking ofZhang Heng. The merger tendency of Zhuang and Sao in Zhang-Heng＇s thinking is gradually clear in this Fu, and represents as pursuing bourn of ＂carefree＂. The aesthetic concepts of ＂carefree＂ come from Zhuang Zi, but it has turned into a personal pursuit in Zhang Heng＇s possession. The ＂Gui Tian Fu＂ can be seen as a summing up to Zhang-Heng＇s understanding and pursuit on ＂carefree＂ ideals.