| 中国明清文人画与西方现代派绘画之比较 |
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| 引用本文： | 尹文,刘凡. 中国明清文人画与西方现代派绘画之比较[J]. 东南大学学报(哲学社会科学版), 2005, 7(2): 62-65 |
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| 作者姓名： | 尹文 刘凡 |
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| 作者单位： | 东南大学,艺术学系,江苏,南京,210096 |
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| 摘 要： | 中国明清文人绘画具有深刻的社会背景与丰富的文化内涵。欧洲现代派绘画则表现为欧洲文艺复兴以来科学的进步与光学、色彩学研究的成果影响了绘画的发展。在不同的文化背景下,东西方绘画走了不同的发展之路。西方艺术用的是色彩,中国文人用的则是笔墨。东西方绘画在色彩上取之两极色阶与色立体;在造型上取之线、面、书法与几何体积。东西方绘画在冲突和差异中,在碰撞与交融中,突出了各自的艺术面貌,产生了新的艺术观念,促进了艺术运动的发展。
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| 关 键 词： | 中国 西方 文人画 现代派绘画 |
| 文章编号： | 1671-511X(2005)02-0062-04 |
| 修稿时间： | 2004-06-23 |
A comparison between paintings by amateur literati in the Qing Dynasty and western modern painting |
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| YIN Wen,LIU Fan. A comparison between paintings by amateur literati in the Qing Dynasty and western modern painting[J]. Journal of Southeast University(Philosophy and Social Science ), 2005, 7(2): 62-65 |
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| Authors: | YIN Wen LIU Fan |
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| Abstract: | China’s paintings by amateur literati in the Qing Dynasty involves comprehensive social background and cultural connotation while the European modern painting reflects the progress in science, optics and color since the Renaissance. Different cultures produced different forms of painting. The western painting used color to create a supernatural world while the Chinese painting used ink to reflect their artistic conception. As for the composition, Chinese painting employed line, surface and calligraphy while the western painting adopted geometric and cubic vision. Their unique angles in painting brought about new artistic viewpoints and promoted the development of art. |
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