| 跨文化视阈中的“零余者”——郁达夫和葛西善藏比较研究 |
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| 引用本文： | 倪祥妍,方汉文.跨文化视阈中的“零余者”——郁达夫和葛西善藏比较研究[J].学术界,2010(10). |
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| 作者姓名： | 倪祥妍 方汉文 |
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| 作者单位： | 苏州大学文学院,江苏,苏州,215123 |
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| 基金项目： | 江苏省高校哲学社会科学研究基金项目"日本小说家与郁迭夫"的阶段性成果 |
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| 摘 要： | 本文从跨文化形象学的视阈考察了日本著名私小说作家葛西善藏和中国作家郁达夫对零余者形象的不同想象,分析了世界文学中的这一经典形象的东方化历程及中日文化差异下零余者形象的演变过程。
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| 关 键 词： | 跨文化 视阁 郁达夫 葛西善藏 零余者 |
Surplus Men in Cross-Culture Vision:Comparative Study of Yu Dafu and Kasai Zenzou |
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| Ni Xiangyan,Fang Hanwen.Surplus Men in Cross-Culture Vision:Comparative Study of Yu Dafu and Kasai Zenzou[J].Academics in China,2010(10). |
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| Authors: | Ni Xiangyan Fang Hanwen |
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| Institution: | Ni Xiangyan & Fang Hanwen School of Humanity,Soochow University |
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| Abstract: | It is investigated in the present paper through cross-cultural vision the different imagination of surplus men written by famous Japanese writer Kasai Zenzou and Chinese writer Yu Dafu.The orientalization process of surplus men,the classical image in the literary world and the evolution of their images in the context of Chinese-Japanese cultural differences are also analyzed. |
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| Keywords: | cross-culture vision Yu Dafu Kasai Zenzou surplus men |
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