西方现代美学的终结——塔尔图学派与洛特曼美学思想的价值与意义

艺术从属论与艺术独立论,是西方古典美学与现代美学各自的主要标记之一,现代美学中的外部研究与内部研究之间的鸿沟即由此而来。塔尔图学派与洛特曼美学思想的主要价值和意义,就在于借用生物学理论,把艺术当作独立的生命,通过"外文本"和"文化链"的形式,将艺术与外部世界紧密地连在一起:从而既真正解决了艺术独立问题,又成功填平了外部研究与内部研究之间的鸿沟。西方美学上自古希腊以来就一直存在的艺术与哲学之间的争论,从此告一段落。这也正是西方后现代美学文化转向的内在原因。 

The End of the West Modern Aesthetics

The Dependence of Art and The Independence of Art is the main difference between the west classic aestheties and modern aesthetics, the wide gap between “The Research For The Inside of Literature” and “The Research For The Outside of Literature”was caused by the difference. The Tartu School and Lotman introduced the biology to the aesthetics and treated the Literature and Art as independent being, they linked the Literature and Art to the real world with “ex-text” and “cultural-chain”, so they resolved the quarrel between The Dependence of Art and The Independence of Art and strode across the wide gap. Then the west post-aesthetics returned to cultural research.