| 伽达默尔的审美意识批判及其启示 |
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| 引用本文： | 陈吉猛. 伽达默尔的审美意识批判及其启示[J]. 汕头大学学报(人文社会科学版), 2002, 18(6): 9-15 |
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| 作者姓名： | 陈吉猛 |
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| 作者单位： | 浙江大学中文系,浙江,杭州,310028 |
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| 摘 要： | 伽达默尔对海德格尔的艺术真理学说进行解释学的重构 ,通过审美意识批判提出理解的真理 ,并以之作为艺术理论的立足点。伽达默尔指出 :康德的审美趣味、席勒的审美王国、哈曼的审美感知、尧斯的审美经验将纯粹的审美意识作为艺术理论的立足点 ,否弃艺术作为理解的认识的真理功能 ,显示了美学对于艺术理论的局限性。伽达默尔的这一批判结果对我国当代文学理论建设和发展极具启迪意义
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| 关 键 词： | 伽达默尔 艺术真理 审美意识 审美区分 艺术理论的美学方式 |
| 文章编号： | 1001-4225(2002)06-0009-007 |
| 修稿时间： | 2002-04-27 |
Hans-Georg Gadamer''''s Criticism on esthetic consciousness and the revelations therefrom |
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| CHEN Jimeng. Hans-Georg Gadamer''''s Criticism on esthetic consciousness and the revelations therefrom[J]. Journal of Shantou University(Humanities Edition), 2002, 18(6): 9-15 |
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| Authors: | CHEN Jimeng |
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| Abstract: | Hans_Georg Gadamer reconstructed Heidegger's hermeneutics or interpretation upon artistic truth and based his artistic theory on the understanding of truth through listing the limitations of Kant's esthetic taste, Schiller's esthetic kingdom,Hamann's esthetic perception, and Jauss' esthetic experience.Hans_Georg Gadamer's Criticism on esthetic consciousness is significant to the constructive development of present_day China's literary theory. |
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| Keywords: | artistic truth esthetic consciousness esthetic differentiation esthetic mode of art theory |
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