从前期词活动看女性的附庸处境

文人词诞生于文化娱乐畸形繁荣的环境中,词文本以描摹女色、刻画闺闱之事,感发艳情为主,可以说从晚唐到苏轼以前,女性在词文化活动中扮演着至关重要的角色.然而正统文学观却拒绝词这一新型文学样态,论词者称词也必以贬斥为主,词为"艳科"、"作词为末技"、词为"小道"是唐宋文人达成的共识.这一共识基于趋于一致的深层思想倾向和价值取向,而其支点则在于女性在私有制中的附庸地位.

The subordinate role as reflected in earlier poetry(Ci) writing

Scholar's poetry (Ci), which originated from the environment of freaky prosperity, mainly acounts and depicts female atrractions and love affairs. From the late Tang Dynasty to Su Shi, women played a dominant role in the Ci culture. However, orthodox literature refused to adopt this new type of literature and many critics at that time made unfavrable comments on Ci (poetry), regarding Ci as pornographic and inferior in quality. The common sense in Tang and Sowas based on deeper thoughts and value orientation with women staying in a subordinate position.