互动与交流中的诗歌审美--关于济慈《希腊古瓮颂》的批评

2 0世纪的新批评派从文本的角度分析济慈的《希腊古瓮颂》 ,而 80年代以来的批评更多地从历史主义的视角来分析这篇诗作。文本分析和历史主义的研究在济慈诗歌研究方面都有独到之处 ,但二者是割裂的 ,各有偏颇。事实上 ,诗歌审美在这里生成于诗歌文本与其历史语境的相互交流与相互渗透。济慈在作品中表达了历史与现实、时间与空间、静止与运动以及真实与美的互动关系 ,并使这种关系通过读者的开放性阐释得以实现 ,从而表明诗歌审美的魅力在于多种关系及因素的交流与创造性的阐释中的活力

The Poetic Beauty in the Communication and Interdependency of Text and History

In the first half of the 20th century, Keats' poems, especially his "Ode on the Grecian Urn", was mainly criticized from the aspect of text and language by the New Criticism, while later in the recent few decades, it is mostly studied by the new historicism. However, the two ways of analyzing this poem are separated, partial, even opposed. Actually, the beauty of the poem lies on the exchange and the interdependence of the text of the poem and its historical environment. Keats explores the interactive relations of history and reality, time and space, stillness and movement as well as truth and beauty, which are realized in the open interpretation of the readers. This clearly shows that the poetic beauty depends on the exchange of multi-relations and the creative force of the interpretation.