王世贞文学理论与其书法理论的联系

王世贞的文学理论表现出极大的丰富性和包容性。它既有强烈的宗派性,同时又有鲜明的开放性、发展性。他坚持复古论的文学思想,却并不反对其他有价值的理论,从而成为明代中期的文学批评巨匠。而其书法理论则与其文学理论相映成趣,在很大程度上与其文学理论具备一致性和相关性。

The Relation between the Literature-theory and Calligraphy-theory of Wang Shizhen's

The literature-theory of Wang Shizhen’s displays the enormous richness and the tolerance.Not only has it the intense sect,but also has its bright openness,the expansibility.He insisted classical literature thought that actually does not oppose other valuable theories,thus becomes literary criticism great master of the Ming Dynasty intermediate stage.Wang Shizhen’s calligraphy ideology has close contacting with its literature theory,to a great extent has the uniformity and the relevance with its literature theory.