| 唐宋傩礼、傩戏与高丽傩戏 |
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| 引用本文： | 安祥馥.唐宋傩礼、傩戏与高丽傩戏[J].湖北民族学院学报(自然科学版),2004,22(4):33-37. |
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| 作者姓名： | 安祥馥 |
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| 作者单位： | 韩国江陵大学校,210-70江原道,江陵市池边洞,123 |
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| 摘 要： | 学界一般认为高丽末李穑写的《驱傩行》一诗的后半部描述的是百姓,而笔者通过研究发现其实不然,它实际是以神道为中心的假面戏,是一种高丽傩戏,并深受中国唐宋宫廷傩礼和西域文化的影响。
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| 关 键 词： | 傩戏 假面戏 <东京梦华录> |
| 文章编号： | 1004-941(2004)04-0033-05 |
| 修稿时间： | 2004年5月19日 |
Nuo Politeness and Performance in Tang and Song Dynasties and Korea Nuo Performance |
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| AN Xiang - fu.Nuo Politeness and Performance in Tang and Song Dynasties and Korea Nuo Performance[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2004,22(4):33-37. |
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| Authors: | AN Xiang - fu |
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| Abstract: | In the academic field, it is generally believed that the latter part of the poem "Drive Nuo" written by Li Se describes the common people. However,it is not the case. Actually,it is a mask performance,a ancient Korea Nuo performance, which was greatly influenced by the palace Nuo politeness and western foreign culture in Tang and Song dynasties. |
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| Keywords: | Nuo performance mask performance Beautiful Dream to Tokyo |
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