| 论汪曾祺小说语言的文化诗性结构 |
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| 引用本文： | 杨红莉.论汪曾祺小说语言的文化诗性结构[J].北京社会科学,2006(5):48-53. |
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| 作者姓名： | 杨红莉 |
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| 作者单位： | 石家庄学院,文学与传媒学院,河北,050035 |
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| 摘 要： | 汪曾祺小说语言极富口语色彩,这表明他努力返回民间日常生活的本相,力图恢复个体文化属性的意图。另一方面,汪曾祺小说语言并不等同于粗糙毛茸质感无序的日常生活,而是具有极其浓郁的文化诗性意味。这种意味来源于汪曾祺力图彰显日常生活中的诗意的艺术动机。
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| 关 键 词： | 汪曾祺 语言 文化 诗性 |
| 文章编号： | 1002-3054(2006)05-0048-06 |
| 修稿时间： | 2006年2月22日 |
On the Poetic Structure of the Languages in Wang Zengqi's Novels |
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| YANG Hong-li.On the Poetic Structure of the Languages in Wang Zengqi's Novels[J].Social Science of Beijing,2006(5):48-53. |
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| Authors: | YANG Hong-li |
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| Abstract: | Although Wang Zengqi's novels is characterized of oral words,showing his efforts in returning folk life and individual cultural properties,it could by no means be presumed that the words in his novels equal to coarseness and disorder of daily life,but possess a thick taste of poetic culture,which derives from the author's conscious motives to poetic feeling of the life. |
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| Keywords: | Wang Zeng-qi language cultures poetic nature |
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