| 曼德拉山岩画的存在论分析 |
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| 引用本文： | 王毓红.曼德拉山岩画的存在论分析[J].内蒙古民族大学学报(社会科学版),2011,37(1):32-37. |
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| 作者姓名： | 王毓红 |
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| 作者单位： | 广东外语外贸大学,文学院,广东,广州,510420 |
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| 摘 要： | 无论是从被视知觉感觉到或经验到的意义和物体或现象来看，还是就曼德拉山岩画自身生存的具体语境而言，整个曼德拉山岩画视觉语言系统都可以被区分为独体岩画和合体岩画两个子系统。前者指内部有着一定结构关系的、相对独立存在的、意义相对完满自足的单个岩画形式，后者指由两个或两个以上独体岩画形式结构的、相对独立存在的岩画形式。曼德拉山岩画里比较多的是合体岩画形式。
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| 关 键 词： | 曼德拉山岩画 视觉语言形式 独体岩画 合体岩画 |
Rock Hill Mandela Status and the Presence of a Basic Component |
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| WANG Yu-hong.Rock Hill Mandela Status and the Presence of a Basic Component[J].Journal of Inner Mongolia University for Nationalities(Social Sciences),2011,37(1):32-37. |
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| Authors: | WANG Yu-hong |
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| Institution: | WANG Yu-hong (Guangdong University of Foreign Studies Guangzhou 510420,China) |
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| Abstract: | Whether it is from being felt or experienced as the perception of the meaning and objects or phenomena of view,or Rock Hill to Nelson Mandela the specific context of their own survival,the entire system of visual language Mandela Rock Hill can Independent body be divided into two subsystems rock paintings and rock art fit.The former refers to the relationship between the internal structure has a certain,relatively autonomous,meaning relatively successful rock art in the form of individual self-sufficiency,w... |
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| Keywords: | the rock art of Mandela Hill form of visual language independent rock art fit rock art |
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