“赤壁”赋图的文本书写及其意义

在中国辞赋史与绘画史上,由苏轼创作的前、后《赤壁赋》占驻了极为重要的地位,其对后世的影响很大,出现了大量的辞赋文本与图像文本的拟效作品,而且是历史图绘赋文作品数之最。“赤壁”作为赋与图的“母题”,其摹仿作品的图像与语象又呈现出相异与相同,这决定于读赋与读图有着不同的视角,因为图像对语象再现的共同点在物象的展示,其不同又在于时间性与空间性的差异,其中作者的选择与需要,自然成为艺术史的一个聚焦点。从绘画史来看,这标志了文人画与山水画的成熟,从辞赋史来看,又表现出文人赋由写物到写意的变迁,其间的趋同性,正是“赤壁”赋图凸显的意义所在,而通过赋作与画作对“赤壁”情境的追摹与创造,又可于中探寻赋与图的异同及其书写意义。

Text Writing and Its Significance of the Painting of "Chibi"

In the history of Chinese Ci Fu and painting,the former and later Chibi Fu created by Su shi occupies a very important position.Its influence on the later generations has resulted in a large number of imitative works of Ci Fu text and image text,which is the most in the number of historical works of drawing and Fu.“Chibi” as the “motif” of Fu and picture,the image and language image of its imitated works are different and the same,which is decided by the different perspective of reading Fu and picture,because the common point of image reproduction of language image lies in the display of object image,and the difference lies in the difference of time and space,among which the choice and need of the author naturally becomes a focus of art history.From the perspective of painting history,this marks the maturity of literati painting and landscape painting.From the perspective of the history of Ci Fu,it also shows the change of literati Fu from writing things to freehand brushwork.The convergence between them is exactly the significance of the painting of “Chibi”.By tracing and creating the situation of “Chibi” with Fu and painting,we can explore the similarities and differences between Fu and painting and their writing significance.