从婉约闺阁到鉴侠革命:秋瑾诗文与早期女性自觉

晚清社会是中国由传统向现代的转型时期,作为历史中间性人物,秋瑾的创作从文体到内质均体现了这种转型期的痕迹。她早期的部分诗文,不脱古代闺阁文学春愁、闲情、孤寂和婉约的感伤传统。如果不是晚清民族存亡危在旦夕,仁人志士强烈普遍的舍身救国思想,不是维新运动促成了中国最早的知识女性,不是西风东渐的男女平权思想和女国民意识,不是个人婚姻不幸等诸多因素激活了秋瑾个性中刚烈反抗的一面,大家闺秀的她是没有机会“心比男儿烈”地反出夫门,负笈东渡并参加反清活动,也就不会留下那么多英风豪气、强己自立、审视男权的诗文创作。秋瑾不仅是用墨写的文字,更是用血写的生命为社会革命、为女性自觉、为中国女性文学竖立了一座不朽的丰碑。

On Qiujin's Works and Women' Consciousness In Last Period of Qing Dynasty

The last period of the Qing Dynasty called "Wanqing"was the transformation period of China from the traditional society to modern society.The female author Qiujin's poems and poses all embodied the characteristic of the transformation period whether these works were in the form or in the content,for example,her most early works still belonged to the traditional style,but her late works obviously embodied modern idea in the content and in the colloquialism form.Qiujin works' transformation from the traditional to the modern was due to such facts as Wanqing's society reality,the west countries' invasion,Qiujin's depressed marriage,and so on.In a word,Qiujin's works pioneered the Chinese female literature of the 20th century.