| 谈“静止戏剧”理论在契诃夫戏剧中的表现 |
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| 引用本文： | 黄珂维.谈“静止戏剧”理论在契诃夫戏剧中的表现[J].甘肃联合大学学报(社会科学版),2006,22(4):44-47. |
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| 作者姓名： | 黄珂维 |
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| 作者单位： | 上海师范大学,人文与传播学院,上海,200234 |
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| 摘 要： | "静止戏剧"理论是比利时作家梅特林克提出的戏剧创作的一个重要理论.与梅特林克同时代的俄罗斯短篇小说家、剧作家契诃夫在戏剧创作中对这一理论进行了自觉的运用与发展,开了现代派戏剧的先河,并对20世纪戏剧产生了极其深远的影响.本文试从契诃夫戏剧的情节、进程、动作、语言几个方面去分析"静止戏剧"理论在契诃夫戏剧中的具体运用.
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| 关 键 词： | 契诃夫 戏剧 静止戏剧 |
| 文章编号： | 1672-707X(2006)03-0044-04 |
| 修稿时间： | 2006年4月5日 |
On Manifestation of "Still Drama" in Chekhov's Play |
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| HUANG Ke-wei.On Manifestation of "Still Drama" in Chekhov''''s Play[J].Journal of Gansu Lianhe University:Social Sciences,2006,22(4):44-47. |
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| Authors: | HUANG Ke-wei |
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| Abstract: | The theory of "Still Drama" is one of the most vital theories on drama writing advanced by Maurice Maeterlinck,famous Belgium writer and playwright.Chekhov,his contemporary Russian short fiction writer and playwright,applied and made further advance of the theory in his drama creation,which initiated the modernism in drama,and cast profound influence on drama of the 20th century as well.This article attempts to analyse the concrete application of "Still Drama" theory in Chekhov's play. |
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| Keywords: | Chekhov play still drama |
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