| 近体诗创作中的四声递用与抑扬清浊阐说 |
| |
| 引用本文： | 邝健行.近体诗创作中的四声递用与抑扬清浊阐说[J].重庆工商大学学报(社会科学版),2003,20(1):19-24. |
| |
| 作者姓名： | 邝健行 |
| |
| 作者单位： | 香港浸会大学,中文系,香港 |
| |
| 摘 要： | 四声递用与抑扬清浊之说 ,便是古人在“进一步安排”上用心而作出的发挥。有关这两方的论述 ,见于明清两代的诗论家 ,尤以清人论述为多。本文将就其意见进行疏释、分析或补充
|
| 关 键 词： | 近体诗 中国古典诗歌 四声 |
| 文章编号： | 1672-0598(2003)01-0019-06 |
| 修稿时间： | 2002年12月1日 |
Repetition of Four Tones of Rising, Falling, Pure and Impure Chinese Pronunciation in Modern Style Poetry |
| |
| KUANG Jian-xing.Repetition of Four Tones of Rising, Falling, Pure and Impure Chinese Pronunciation in Modern Style Poetry[J].Journal of Chongqing Technology and Business University Social Science Edition,2003,20(1):19-24. |
| |
| Authors: | KUANG Jian-xing |
| |
| Abstract: | The repetition of four tones of rising, falling, pure and impure Chinese pronunciation aims to give free rein to further arrangement for poems creation of ancient Chinese, which is seen in poetry commentators in Ming and Qing Dynasty and most in Qing Dynasty. This paper explains, analyzes and supplements the four tones. |
| |
| Keywords: | modern style poetry Chinese ancient poems four tones |
| 本文献已被 CNKI 维普 万方数据 等数据库收录！ |
| 点击此处可从《重庆工商大学学报(社会科学版)》浏览原始摘要信息 |
| 点击此处可从《重庆工商大学学报(社会科学版)》下载免费的PDF全文 |
