| 米凯尔·瑞尼和罗伯特·沙佩莱特的《探戈舞曲》 |
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| 引用本文： | 刘燕,杨立坤. 米凯尔·瑞尼和罗伯特·沙佩莱特的《探戈舞曲》[J]. 山西大同大学学报(社会科学版), 2013, 0(6): 106-108 |
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| 作者姓名： | 刘燕 杨立坤 |
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| 作者单位： | 山西大同大学音乐学院,山西大同037009 |
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| 摘 要： | 探戈音乐因细腻、严格地将主调与复调相结合,在曲式、和声、节奏上都散发着历史性的变化,受到作曲家们的青睐。凯尔·瑞尼和罗伯特·沙佩莱特的《探戈舞曲》是典型的复三部曲式,和声简单且独特,切分和附点的节奏铿锵有力,动感十足。
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| 关 键 词： | 探戈 探戈舞曲 创作风格 室内乐 手风琴 |
Tango of Mikael Raney and Robert ShaPei Wright |
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| LIU Yan,YANG Li-kun. Tango of Mikael Raney and Robert ShaPei Wright[J]. Journal of Shanxi Datong University(Social Science Edition), 2013, 0(6): 106-108 |
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| Authors: | LIU Yan YANG Li-kun |
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| Affiliation: | (School of Music, Shanxi Datong University, Datong Shanxi, 037009) |
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| Abstract: | The music of tango eombines homophony and polyphony smoothly and strictly. It is sending out the history ehange in musical form, harmony and rhythm, and it is being favored and admired by all fields in the world. The tango of Mikael Raney and Robert ShaPei Wright is a typical trilogy, the harmony is simple and unique, the rhythmic pattern of segmentation and dot is sonorous and dynamie. This artiele focuses on analysis and researeh from these three aspects. |
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| Keywords: | tango tango notturno creating style ehamber musie accordion |
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