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释真观及其辞赋创作的文体策略
引用本文:郑群辉. 释真观及其辞赋创作的文体策略[J]. 汕头大学学报(人文社会科学版), 2007, 23(3): 47-51
作者姓名:郑群辉
作者单位:韩山师范学院中文系,广东,潮州,521020
摘    要:释真观是由陈入隋的高僧,也是当时著名的佛教艺术家、文学家。其辞赋创作深受佛经文学及讲经、唱导等宗教文艺形式的影响,自觉采用了对话体、讲经文的“释经名”以及唱导文中的“杂序因缘,傍引譬喻”等文体策略,刷新了当时的辞赋创作,在文学史上占有一定的地位。

关 键 词:释真观  《梦赋》  《愁赋》  文体策略  讲经  唱导  释经名
文章编号:1001-4225(2007)03-0047-005
修稿时间:2007-03-27

Shi Zhenguan and His Stylistic Strategies in Odes Writing
ZHENG Qun-hui. Shi Zhenguan and His Stylistic Strategies in Odes Writing[J]. Journal of Shantou University(Humanities Edition), 2007, 23(3): 47-51
Authors:ZHENG Qun-hui
Abstract:Shi Zhenguan is a hierarch as well as an artist of Buddhism and a litterateur living in the transitional period from Chen Dynasty to Sui Dynasty. His odes were deeply influenced by the modality of religion’s literature such as sutra’s literature, sermon, Changdao 唱导and so on. He adopted some stylistic strategies and renovated the then odes writing, occupying some place in the literary history.
Keywords:Shi Zhenguan   “Ode of Dream”  “Ode of Anxiety”   sermon   changdao
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