| 略谈东南亚的史诗表演艺术 |
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| 引用本文： | 张玉安.略谈东南亚的史诗表演艺术[J].东方论坛,2013(5):18-22. |
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| 作者姓名： | 张玉安 |
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| 作者单位： | 北京大学东方文学研究中心,北京100871 |
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| 基金项目： | 国家社会科学基金重大项目“东方文化史”（批准号：11＆ZD082）阶段性成果. |
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| 摘 要： | 东南亚的史诗表演艺术或称史诗戏剧艺术，其主要表演形式是以本土化的印度两大史诗为题材的影戏、偶戏和歌舞剧。东南亚的史诗戏剧源于史诗诵读，服务于宗教，既是东南亚民族传统表演艺术的源泉和基础，也是东南亚人民自我教育的重要手段。
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| 关 键 词： | 东南亚 印度 史诗戏剧 诵读 综合性 宗教性 |
An Analysis of the Epic Performing Art in Southeast Asia |
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| Zhang Yu-an.An Analysis of the Epic Performing Art in Southeast Asia[J].Orient Forum,2013(5):18-22. |
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| Authors: | Zhang Yu-an |
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| Institution: | Zhang Yu-an ( School of Foreign Languages, Peking University, Beijing100871, China ) |
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| Abstract: | The performing art of the two epics in Southeast Asia, namely the epic drama art, has its own performing forms： shadow play, puppet play and song-dance drama. The epic drama originated from recitation of the epics in the service of religions. It is the source and basis of the national performing arts in Southeast Asian nations, as well as an important method of self-education for the peoples of Southeast Asia. |
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| Keywords: | Southeast Asia India epic drama recital comprehensiveness religiousness |
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