自然的灵性与小说家的选择

杨志军认同自然是惟一的宗教,他对自然有着最为本真的理解和诠释。荒原是杨志军在多个文本中激情表现的自然形态,寄生荒原的所有生命都是杨志军的灵魂牵绊,在荒原生存的动植物都在他的记忆里保持了生命的骄傲和奔跑的自由。这是自然灵性的大力开放,也是人类自身的心灵救赎。杨志军有意识地选择了荒原的野性为他的自然意识注解,由此他在奔跑与寂寞、诞生与死亡的荒原版图中,完成并丰富了自然灵性的生命表达;在人对荒原的侵入和掠夺中谛听荒原的启悟,展示人类毁灭自然的灾难与困境,唤醒人类精神深处的自然情怀,最终选择在地球的最高处抵达自然的极地。

Natural Intelligence and the Novelist's Choice

Yang Zhijun believes that the sole religion in the world is nature. His understanding and annotation to nature is good and true. Wildness is often found to be a natural form of Yan's emotional expression in many of his literary works. It seems that his soul and all the lives in the wild world are closely interfering with each other. For wild animals and plants in his memory are always living pleasantly and running freely. That is the sagacity of wildlife and redemption of human beings. Between running and loneliness, birth and death, Yan intentionally selects the wild character to explain his ideas on nature in the purpose of adding variety to the natural life expression. He is attentively listening to the wildlife, the human invasion and plunder to their inhabitation. Revealing the disaster and difficult positions as the result of people's ruining the nature; he is trying to arouse humanity the natural thoughts and feelings in deep of their spirits and finally he concludes that the highest on the earth is the true nature in the world.