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影视改编与文学经典传播途径的革新
引用本文:杨世真. 影视改编与文学经典传播途径的革新[J]. 广州大学学报(社会科学版), 2014, 0(3): 69-72
作者姓名:杨世真
作者单位:广州大学新闻与传播学院,广东广州510006
基金项目:教育部人文社会科学研究一般项目(11YJA760087);国家社科基金重大招标项目(10&ZD135);本文系广州大学人才引进科研启动项目(2001YSZ2)
摘    要:从传统文学的立场出发,早期的电影不被看作是一种叙事的艺术。但与此相对照的是,新生的电影对传统文学的改编,从它诞生的那一刻开始,就未停止过。电影及后来的电视对文学经典改编,一方面帮助电影度过最初的危机,促进了整个20世纪影视艺术的长期繁荣,另一方面极大地促进了文学作品的传播,甚至对文学作品的内在创作规律产生了深刻的影响,促使一部分当代经典作品具有了明确的"影视化"特征。影视改编一般可分为"忠实的改编"和"自由的改编"。

关 键 词:影视改编  文学经典  传播革新

Film Adaptation and the Innovative Communication of Literary Classics
YANG Shizhen. Film Adaptation and the Innovative Communication of Literary Classics[J]. Journal of Guangzhou University(Social Science Edition), 2014, 0(3): 69-72
Authors:YANG Shizhen
Affiliation:YANG Shizhen ( School of Journalism & Communication, Guangzhou University, Guangzhou, Guangdong 510006, China )
Abstract:From the perspective of traditional literature, early films are not seen as a kind of narrative art. However, film adaptation of traditional literature has never stopped ever since its start. Film adaptation and TV a- daption not only helped film overcome the initial crisis, and brought about a long - term prosperity of film and TV art in the 1920s, but also greatly contributed to the spread of literature, and even profoundly influenced the creation of literary works, resulting in cinematic characteristic of some contemporary literary classics. Generally speaking, there are "faithful adaptation" and "free adaptation".
Keywords:film adaptation  literary classics  innovative communication
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