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论花间词的道教文化意蕴
引用本文:杨子江.论花间词的道教文化意蕴[J].上海大学学报(社会科学版),2000,7(3):43-47.
作者姓名:杨子江
作者单位:广东教育学院 中文系,广州 510310
摘    要:花间词作为唐五代词的杰出代表,首开“词为艳科”的香软词风之先河,却为道教文化所漫染。花间词常用的词牌,蕴含着道教文化之意蕴;花间词中常见的神仙故事意象和仙化意象,与道教文化有眷内在的关联;晚唐特定的时代背景与后蜀特殊的文化土壤使道教文化在花间词中得以蔓延。道教文化给予花间词人以可贵的启迪,它有力地刺激了词人想像力的发挥,给花间词抹上了浓艳绮丽的色彩,增添了空灵缥缈之美感。

关 键 词:花间词  道教文化  词牌  意象
文章编号:1007-6522(2000)03-0043-05
修稿时间:1999年11月5日

Taoist's Influence on Huajian School of Ci Poems
YANG Zi-jiang.Taoist's Influence on Huajian School of Ci Poems[J].Journal of Shanghai University(Social Science Edition),2000,7(3):43-47.
Authors:YANG Zi-jiang
Abstract:There is a inherent link between Taoist culture and the fairy stories and images presented in Huajian Ci poems. Taoist culture easily gained an access into the creation of Huajian Ci in the historical situation of at the later years of Tang Dynasty and the cultural environment of Later Shu Dynasty. The poets of Huajian School were enlightened by the tales of Taoist culture, which set the poets to fly their imagination, thus adding touches of gaudiness and discernible beauty to Hua-jan Ci.
Keywords:Huajian Ci  Taoist culture  tone of Ci poem  image  
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