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毛泽东的文艺接受论
引用本文:黎辛,靳绍彤.毛泽东的文艺接受论[J].长沙理工大学学报(社会科学版),2000(3).
作者姓名:黎辛  靳绍彤
作者单位:中国艺术研究院!北京100025(黎辛),长沙电力学院!湖南长沙410077(靳绍彤)
摘    要:毛泽东早于西方接受美学 2 0年 ,创立了他的文艺接受论。毛泽东的文艺接受论与西方接受美学有三点不同 :一、基本构架不同 ,西方接受美学的构架是作家———作品———读者 ,毛泽东文艺接受论的构架是人民———作家———作品———人民 ;二、文艺的接受过程不同 ,两者虽然都经历三个过程 ,但内涵基本不同 ;三、两种接受论的创立者的状态不同 ,西方接受美学仅停留在理论上 ,而毛泽东则是理论与实践相统一 ,既创立了自己的文艺接受论 ,又亲自实践 ,成为最佳的文艺接受者

关 键 词:文艺接受论  基本构架  接受过程  最佳接受状态

MAO Zedong's View on Accepting aesthetics of Literature & Art
LI Xin, JIN Shao-tong.MAO Zedong's View on Accepting aesthetics of Literature & Art[J].Journal of Changsha University of Science & Technology,2000(3).
Authors:LI Xin  JIN Shao-tong
Abstract:Mao Zedong accepted aesthetics 20 years earlier than those in the West He founded his theory of accepting aesthetics There're three different points between MAO's theory and the Western aesthetics The first is the basic conception The Western conception is writer works reader,while MAO's conception is the people writer works the people The second is the accepting process Although both of them experience three processes, yet their intensions are different The third is the state of the two founders The westerners stayed at the theory while MAO integrated theory with practice, not only founding his own theory of literature and art but also practising by himself Thus he became the best acceptor of literature and art
Keywords:acceptable aesthetics  basic conception  acceptable process  best state of acceptance
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