| 《诗》"兴"与六朝后诗歌"兴"之比较 |
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| 引用本文： | 胡元坎.《诗》"兴"与六朝后诗歌"兴"之比较[J].郑州大学学报(哲学社会科学版),2001,34(2):79-84. |
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| 作者姓名： | 胡元坎 |
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| 作者单位： | 宁德师专,中文系,福建,宁德,352100 |
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| 摘 要： | 关于诗歌的"兴"的界说,不同历史阶段有所不同.从大处看,以六朝为界,分野显然.<诗经>兴体诗的"兴"其本质是"起";六朝后的诗歌,"兴"的本质则是"感".<诗经>兴体诗是借物起兴,较单一;六朝以后诗歌则是感物兴情,较复杂.<诗经>兴体诗中情与景大都只是局部交融,六朝以后诗歌的"兴",其情与景渐趋"融彻".但是从总体上说,作为美学范畴的"兴',其本质都是物对心的感发和心与物的相互契合.
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| 关 键 词： | 《诗经》 兴 六朝 |
| 文章编号： | 1001-8204(2001)02-0079-06 |
| 修稿时间： | 2000年10月8日 |
Comparison of "Xing" between the Books of Songs and the Six Dynasties' Poetry |
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| HU Yuan,kan.Comparison of "Xing" between the Books of Songs and the Six Dynasties' Poetry[J].Journal of Zhengzhou University(Philosophy and Social Science Edition),2001,34(2):79-84. |
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| Authors: | HU Yuan kan |
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| Abstract: | There exists different meanings about Xing (inspiration for poetic creation) of Chinese poetry in different historical stages. Xing in the Books of Songs and the Six Dynasties' poetry was different in meaning. Totally, Xing as a concept of aesthetic category, in essence, is something affected by people against objects outside and agreement or conjunction of mind and objects. |
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| Keywords: | the Books of Songs Xing the Six Dynasties |
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