传感论美学：一个理论的框架分析

计算机、通信与传感是现代科技的三大支柱,它们不约而同地与美学结盟。计算机美学与信息论美学方兴未艾,传感技术亦日益成为通约计算机技术与通信技术的掮客。传感论在美学的理论框架中逐渐形成了自己的研究对象、参数内容与理论目标及学科价值,传感论美学所具有的学科理论的合法性席位昭示它自身成为技术美学新成员是可能的。同时,传感技术在信息技术中的掮客身份愈来愈抽象化与审美化,信息技术的生产主体、知识构型、商业流通、编码解读的科技化亦等同于社会风险的不断增加,这些风险也暗示亟待建设传感论美学理论的迫切性与意义。

Sensing Aesthetics： An Analysis Framework of Theory

Computer, communication and sensing technologies, and they concurrently ally with aesthetics. between the computer and communication technologies are the three pillars of modem science and Sensing has also while the comp increasingly become the broker uter and information aesthetic theories are unfolding. Sensing technologies and theories have their own research objects, parameters, theoretical goals and discipline values in the theoretical framework of aesthetics. The legitimacy of discipline theories ushered sensing aesthetics into the family of technical aesthetics. However, the broker identity of sensing technologies in spatial data becomes more and more abstract and aesthetized. The production organizations, knowledge strtlcture, commercial circulation and code interpretation of information technologies equal to the increase in social risks, and these risks also indicate the urgency and significance of developing the sensing aesthetics theories.