自我实现的影像历程——论李安"父亲三部曲"的真正内涵

对李安"父亲三部曲"的解读大多集中于文化视阈上,这种广角式的解读模式使得李安电影作品的本真性被消解在宏大的文化背景中.其实,自我意识才是李安"父亲三部曲"的基点所在.其作品的真正内涵就在于他用一系列的影像展示了一个自我意识的实现过程,李安以"冲撞"的方式对中国传统文化中的儒家和道家文化进行批判,并在这种批判中显现了自我.

Cine-Course of Self-Fulfilment——True Conntation of Trilogy on Father by Li An

Most interpretations of Li An's Trilogy on Father concentrate on the visual threshold of culture.This wide angle mode of interpretation dispels the original state of Li's film works on the grand cultural background.In fact,the basic point of Li's Trilogy on Father lies in the self-consciousness.The true connotation is contained in his manifestation by a series of images of a course of the fulfilment of self-consciousness.In an "offensive" way,Li criticizes the Confucian and the Taoist cultures in the traditional Chinese culture,revealing self in the criticism.