| 中国京剧与欧洲歌剧之比较 |
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| 引用本文： | 张晓佳. 中国京剧与欧洲歌剧之比较[J]. 宁波大学学报(人文科学版), 2002, 15(4): 54-56 |
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| 作者姓名： | 张晓佳 |
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| 作者单位： | 宁波大学,传播与艺术学院,浙江,宁波,315211 |
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| 摘 要： | 文章从戏剧的起始源头、发展脉络对中国京剧与欧洲歌剧作了比较。接着 ,又从分析中国与西方的政治体制、民族性、哲学思想与科技发展水平的差异入手 ,对中国京剧的写意风格和以演员表演为中心、欧洲歌剧的写实风格和以音乐为中心的美学特点作了阐述和比较。
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| 关 键 词： | 中国京剧 欧洲歌剧 写意 写实 表演为中心 音乐为中心 |
| 文章编号： | 1001-5124(2002)04-0054-03 |
| 修稿时间： | 2001-10-26 |
A Comparative Study of Peking Opera and European Opera |
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| ZHANG Xiao jia. A Comparative Study of Peking Opera and European Opera[J]. Journal of Ningbo University(Liberal Arts Edition), 2002, 15(4): 54-56 |
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| Authors: | ZHANG Xiao jia |
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| Affiliation: | ZHANG Xiao jia |
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| Abstract: | This paper is comparative study of Peking Opera and European opera in perspective of their origins, and their processes of development. With an analysis of the differences in the political system, nationality, and philosophy between China and Europe, this paper concludes that Peking Opera is performance-centered and European opera is music centered. |
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| Keywords: | Peking opera European opera factualism connotation performance-centeredness music-centeredness |
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