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“三言”中女性形象的文化意蕴
引用本文:费洪根,王若明.“三言”中女性形象的文化意蕴[J].延边大学东疆学刊,2006,23(2):41-44.
作者姓名:费洪根  王若明
作者单位:延边大学,汉语言文化学院,吉林,延吉,133002
摘    要:随着父权等级制度的建立,男尊女卑的传统儒家女性观也逐渐形成.反映到文学中,女性形象大都是男权主义意识形态的产物.明代以来,随着女性社会地位从"附属"到"独立"的转换,女性形象的塑造也随之完成了从"歧视"到"赞美"的转换."三言"正面描写了一大批光彩照人的女性形象,在她们身上我们看到了新的时代特色.

关 键 词:"三言"  女性形象  文化意蕴
文章编号:1002-2007(2006)02-0041-04
修稿时间:2005年12月30

"Three Collections of Short Stories" by Feng Menglong:Their Female Images' Cultural Connotations
Fei Honggen,Wang Ruoming."Three Collections of Short Stories" by Feng Menglong:Their Female Images' Cultural Connotations[J].Dongjiang Journal,2006,23(2):41-44.
Authors:Fei Honggen  Wang Ruoming
Abstract:With the establishment of patriarchy,the traditional Confucian concept on women that men are superior to women has taken shape.In literature the female images mostly are created under the influence of male chauvinist ideology.Since the Ming Dynasty,female images have transformed from "being discriminated against" to "being praised" with the dependence-to-independence change in their social status.In "Three Collections of Short Stories" by Feng Menglong a number of attractive female images have been set up who personify the characteristics of the new era.
Keywords:"Three Collections of Short Stories"  female image  cultural connotations  
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