| 马丁·海德格尔现代技术-艺术论 |
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| 引用本文： | 刘在泉,张公善.马丁·海德格尔现代技术-艺术论[J].沈阳农业大学学报(社会科学版),2009,11(4):500-503. |
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| 作者姓名： | 刘在泉 张公善 |
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| 作者单位： | 1. 同济大学,人文学院,上海,200331
2. 安徽师范大学,文学院,安徽,芜湖,241000 |
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| 摘 要： | 海德格尔认为技术与艺术的关系非同一般，在古希腊意义上它们是同一的。海氏对现代艺术的批判乃是其艺术沉思的落脚点和归宿。现代技术与现代艺术都是异化了的怪物，拯救技术和复兴艺术是一枚硬币的正反面，彼此互相依存。海氏现代艺术论的最大问题不是审美乌托邦性，而是对现代艺术的误读。这种误读起源于他的哲学根基即基本本体论。
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| 关 键 词： | 马丁·海德格尔 艺术 技术 异化 本真 |
On Martin Heidegger's Theory on Modern Technology and Art |
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| LIU Zai-quan,ZHANG Gong-shan.On Martin Heidegger's Theory on Modern Technology and Art[J].Social Science Journal of Shenyang Agricultural University,2009,11(4):500-503. |
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| Authors: | LIU Zai-quan ZHANG Gong-shan |
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| Institution: | LIU Zai-quan, ZHANG Gong-shan (College of Humanities, Tongji University, Shanghai 200331, China; College of Literature, Anhui Normal University, Hefei 214000, Anhui Province China) |
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| Abstract: | According to Martin Heidegger, there is a special relation between technology and art in the sense ot ancient Greece. His critique on modern art is both the underlying objective and the end-result of his artistic meditation. Modern technology and modern art are both alienated monsters. The art saving and the art reviving both are like the two sides of one coin, which are interdependent. The most serious problem of Martin Heidegger＇s theory on modern art never exists in the aesthetic Utopia, but in his misunderstanding of modern art, which originated from Ontology, his philosophical fundament. |
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| Keywords: | art technology alienation original state |
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