| 明前期台阁文人之作家论 |
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| 引用本文： | 汤志波. 明前期台阁文人之作家论[J]. 重庆师范大学学报(哲学社会科学版), 2015, 0(4): 28-33. DOI: 10.3969/j.issn.1673-0429.2015.04.005 |
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| 作者姓名： | 汤志波 |
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| 作者单位： | 华东师范大学 中文系,上海,200241 |
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| 摘 要： | 明前期台阁文人论作家,往往忽视其天赋个性对诗歌创作之影响,而强调后天之学识涵养. 但后者并非指对偶格律等诗歌创作技巧的学习,而是以学识"理性情",以盛世光岳之气涵养诗人性格,使之更易达到台阁体颂世鸣盛之要求. 台阁文人同样忽略诗人穷达经历对诗歌创作的影响,有诗"穷而工"与"达而工"两种看似对立之观点,但无论"穷"、"达"均能表现出盛世之音,"工"专指诗歌内容风格符合"性情之正".
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| 关 键 词： | 明前期 台阁体 诗学 作家论 性情之正 |
The Thesis of Writers about "Taige" Scholar on the Early Ming Dynasty |
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| Abstract: | Taige writers on the early Ming Dynasty often ignored the influence of innate personality on the poetry creation, and highlighted the influence of knowledge. But the influence of knowledge is not refers to the poetry skills learning, but means the knowledge of "sensibility". Taige writers also ignored the influences of writers'experiences on poetry. Though seemingly opposing each other, the "qiong" and "da" views can ex-hibit the heyday of the Ming Dynasty. |
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| Keywords: | the early Ming Dynasty taigeti poetics thesis of writers positive temperament |
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