李白的诗美学思想及其盛唐特征

从陈子昂提倡"风骨"论到李白再次提出"风骨"论,形成了初唐到盛唐的一股美学思潮.李白以美学史家的巨深眼光,充分认识到美学史的发展状况,善于进行思想的融合.他推崇建安时代的"风骨"美学,成为他的理想目标.天然、清新是李白的又一重要的美学思想.它要求审美形态回归本体.它宣告了六朝美学的终结,同时宣告了另一个美学新时代的到来.因而,它具有盛唐时代特征.

Li Bai's Aesthetics Thoughts and The Characteristic of Prosperous Tang Dynasty

It was from chen ziang firstly advocated the theory of "vigorous of style",until Li Bai advanced the theory,when a burst of aesthetics thought took into shape from early to prosperous period of Tang Dynasty.Bearing a great sight from the view of aesthetics history,Li Bai fully realized the development of aesthetics history and he perfectly merged all kinds of thoughts together.Li Bai had a great esteem for the theory of "vigorous of style"in Jian An period,and took the theory as his thought.Another aesthetics thought of Li Bai is natual,which requires aesthetic perceptional form returning to thing-in-self.This theory declared the end of aesthetics of Liu Dynasty and the beginning of another of Tang Dynasty.Therefore,Li Bai's aesthetics thoughts reflect characteristic of prosperous Tang Dynasty.