| 论“和”与先秦文学思想 |
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| 引用本文： | 郭令原.论“和”与先秦文学思想[J].辽东学院学报(社会科学版),2006,8(2):34-40. |
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| 作者姓名： | 郭令原 |
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| 作者单位： | 西北师范大学,文学院,甘肃,兰州,730070 |
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| 摘 要： | “和”作为表现文艺思想的词语,在先秦时期形成发展过程分三个阶段:一作为古人的自然观和社会观,它体现了一种价值判断标准;二作为音乐术语,它是自然观和社会观的延伸,成为衡量音乐的标准;三,在先秦文学思想中,“和”作为一个术语虽未用于对文学现象进行批评,但对诗与文的审美要求起到重要的影响。
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| 关 键 词： | 和 乐教 文学思想 |
| 文章编号： | 1672-8572(2006)02-0034-07 |
| 修稿时间： | 2006年2月15日 |
The Harmony and the Literary Ideas in the Pre- Qin Days |
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| GUO Ling-yuan.The Harmony and the Literary Ideas in the Pre- Qin Days[J].Journal of Liaodong University :Social Sciences,2006,8(2):34-40. |
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| Authors: | GUO Ling-yuan |
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| Abstract: | Harmony,a word by which the ideas of literature and art are expressed in Pre—Qin days,is developed in three periods.Firstly,as an idea of nature and society,it displays a value standard.Secondly,as a technical term of music,it extends the idea of nature and society and becomes a standard of music judgment.Thirdly,though harmony is not used to criticize literary phenomena as a technical term in the literary ideas on the Pre—Qin days,it greatly influences the aesthetic judgment on poems and works. |
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| Keywords: | harmony music education literary idea |
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