| 元明戏曲的蒙太奇意识初探 |
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| 引用本文： | 金虎,郑传寅.元明戏曲的蒙太奇意识初探[J].江汉大学学报(人文科学版),2006,25(1):71-77. |
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| 作者姓名： | 金虎 郑传寅 |
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| 作者单位： | 武汉大学,艺术学系,湖北,武汉,430072 |
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| 摘 要： | 元明戏曲中的“蒙太奇”主要包括“连续蒙太奇”、“平行蒙太奇”、“交叉蒙太奇”、“心理蒙太奇”、“声画蒙太奇”和“多舞台结构”等。元明戏曲蒙太奇意识产生依据有二：一、戏曲的思维方式和心理基础：二、戏曲假定性、虚拟性和程式化的特征。其深层原因与戏曲形成发展的特殊历史道路密切相关,也与传统文化的背景有关。这些“蒙太奇手法”在元明戏曲中发挥着重要的作用。
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| 关 键 词： | 元明戏曲 蒙太奇意识 |
| 文章编号： | 1006-6152（2006）01-0071-07 |
| 收稿时间： | 2005-11-07 |
| 修稿时间： | 2005年11月7日 |
Preliminary Exploration Into Montage Mentality in Drama of Yuan and Ming Dynasties |
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| JIN Hu,ZHENG Chuan-yin.Preliminary Exploration Into Montage Mentality in Drama of Yuan and Ming Dynasties[J].Journal of Wuhan Institute of Education,2006,25(1):71-77. |
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| Authors: | JIN Hu ZHENG Chuan-yin |
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| Abstract: | Montages in the Yuan and the Ming Dynasties drama mainly include "sequential montage","parallel montage","cross montage","psychological montage","sound and picture montage","multistage structure montage" and the like.There are two bases for the coming into being of the montage mentality in the two dynasties: 1.the basis of ideological mode and psychology;2.the suppositious,the fictitious and the stylized characteristics of the drama.Its deeper cause has everything to do with the special historical path of the formation and development of the drama,as well as with the background of the traditional culture.These "montage techniques" play an important role in the drama of the Yuan and the Ming Dynasties. |
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| Keywords: | drama of the Yuan and the Ming Dynasties montage mentality |
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