| 《老人与海》的创作美感 |
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| 引用本文： | 耿延宏.《老人与海》的创作美感[J].燕山大学学报(哲学社会科学版),2004,5(2):71-74. |
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| 作者姓名： | 耿延宏 |
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| 作者单位： | 燕山大学,外国语学院,河北,秦皇岛,066004 |
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| 摘 要： | 从美学的视角看,《老人与海》体现了自然美、艺术美、悲剧美、崇高美等美的形态。
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| 关 键 词： | 海明威 《老人与海》 美学 |
| 文章编号： | 1009-2692(2004)02-0071-04 |
| 修稿时间： | 2003年9月10日 |
The Multi-perspective Creative Aesthetics of The Old Man and the Sea |
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| GENG Yan-hong College of Foreign Studies,Yanshan University,Qinhuangdao,Hebei,China.The Multi-perspective Creative Aesthetics of The Old Man and the Sea[J].Journal of Yanshan University:Philosophy and Social Sciences Edition,2004,5(2):71-74. |
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| Authors: | GENG Yan-hong College of Foreign Studies Yanshan University Qinhuangdao Hebei China |
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| Institution: | GENG Yan-hong College of Foreign Studies,Yanshan University,Qinhuangdao,Hebei,066004,China |
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| Abstract: | The Old Man and the Sea is the best novel by Ernest Hemingway, who won the Nobel Prize. It reflects Hemingway's creative theme and writing style. The paper discusses the multi-perspective creative aes- theticsin TheOld Man and the Sea, such as thebeauty of nature, language art, tragedy, loftinessand symbol, to understand Hemingway and his creative works better. |
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| Keywords: | aesthetics language art symbol |
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