| 论《礼记·乐记》的贡献 |
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| 引用本文： | 杜书瀛.论《礼记·乐记》的贡献[J].南都学坛,2012,32(4):39-42. |
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| 作者姓名： | 杜书瀛 |
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| 作者单位： | 中国社会科学院文学研究所,北京,100872 |
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| 摘 要： | 《乐记》在中国古代审美文化史和文论史上,比之以前,的确有重要创新之处,有创造性开掘和拓展。其一是《乐记》最早或较早论述了"物感"说。其二是细化了"乐"的发生层次——由"声"发展到"音"再发展到"乐"。其三是论述了"乐"之"宜",即"乐"的个性特点、对象的个性特点、歌者的个性特点,既相互影响,又相互适宜。
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| 关 键 词： | 审美文化史 乐记 贡献 |
On the Contributions of Book of Music, Book of Rites |
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| DU Shu-ying.On the Contributions of Book of Music, Book of Rites[J].Academic forum of nandu,2012,32(4):39-42. |
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| Authors: | DU Shu-ying |
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| Institution: | DU Shu-ying(Literature Institute,China’s Academy of Social Sciences,Beijing 100872,China) |
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| Abstract: | In ancient China’s cultural history of aesthetics and history of literary theory,Book of Music has more important creative development and extention than ever.First,Book of Music is the earliest or earlier literature to discuss object initiation.Second,it specifies the levels of the occurrence of music,that is,from voice to sound to music.Third,it discusses the apporiateness of music,that is,the unique features of music,object and singers should not only affect each other,but also be proper to each other. |
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| Keywords: | cultural history of aesthetics Book of Music contributions |
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