| 美学研究的佯谬原型及其演变 |
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| 引用本文： | 贺志朴.美学研究的佯谬原型及其演变[J].河北大学学报(哲学社会科学版),2004,29(2):23-25. |
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| 作者姓名： | 贺志朴 |
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| 作者单位： | 河北大学,艺术学院,河北,保定,071002 |
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| 摘 要： | 美学研究中的理论佯谬,导源于生活世界和理论世界的冲突,它既表现为美学发展的科学化趋向,又表现为美学家族的庞杂性。生活的世界才是最基本的世界,从本原意义上说,它是诗意之源,不存在"进步"性。美学研究以生活世界为出发点和基础,或许可以得出更加合理的结论。
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| 关 键 词： | 生活世界 理论世界 进步 |
| 文章编号： | 1005-6378(2004)02-0023-03 |
| 修稿时间： | 2003年10月15 |
On the Paradoxical Prototype and Its Evolution in Aesthetics Study |
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| HE Zhi-Pu.On the Paradoxical Prototype and Its Evolution in Aesthetics Study[J].Journal of Hebei University(Philosophy and Social Science),2004,29(2):23-25. |
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| Authors: | HE Zhi-Pu |
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| Abstract: | The paradox theory in aesthetics originates in the conflicts between the real world and the theoretical world. It not only shows the scientific direction in aesthetic development, but also displays numerous and jumbled of aesthetics. The real world is the basic place where people live. In the original way, the real world is the spring of poetic where there is no so-called"progress". Considering aesthetics study, a more reasonable conclusion may be reached, for all its foundation is the real world. |
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| Keywords: | real world theoretical world progress |
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