| 论明代宫廷杂剧上下场的处理 |
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| 引用本文： | 郑莉.论明代宫廷杂剧上下场的处理[J].湖北民族学院学报(自然科学版),2007,25(5):56-60. |
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| 作者姓名： | 郑莉 |
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| 作者单位： | 张家口教育学院中文系 河北张家口075000 |
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| 摘 要： | 明代宫廷杂剧的上下场处理充分体现了宫廷杂剧程式化的典型特征,既继承了元杂剧的创作传统,又有自身的精炼和整饬,虽然不免有些千篇一律,但其在杂剧史上程式化、规范化方面的作用是不可小视的。可以说,元杂剧的创作规范在明宫廷杂剧这里更加提纯,形成更精炼整齐的创作样式。
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| 关 键 词： | 宫廷杂剧 上下场 开场 收场 |
| 文章编号： | 1004-941(2007)05-0056-05 |
| 修稿时间： | 2007年7月20日 |
On How to Get on and off the Stage in the Palace Drama Performed in Ming Dynasty |
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| ZHEN Li.On How to Get on and off the Stage in the Palace Drama Performed in Ming Dynasty[J].Journal of Hubei Institute for Nationalities(Philosophy and Social Sciences),2007,25(5):56-60. |
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| Authors: | ZHEN Li |
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| Abstract: | How to get on and off the stage in performing the palace drama in Ming dynasty fully embodies the typical formulaic features of the palace drama.It not only inehrited the tradtion of drama in Yuan dynasty,but also has refined and tidy form of its own.Though it is not far from being dull,its formulaic and standardized functions should not be ignored.It is safe to say that the writing standards of drama in Yuan dyansty has been refined in Ming dynasty,and later formed a more refined and tidy creating genre. |
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| Keywords: | palace drama getting on and off the stage beginning |
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